I have always been obsessed with rectangles, squares, and angles—with how they feel to experience. My practice revolves around proportion: organizing and reorganizing squares and rectangles until everything finds its “right” place, a point of equilibrium that feels both precise and alive. I would call that presence. I feel geometry is a language through which almost anything can be said—emotion, balance, tension, and stillness all expressed through measured form and light.

DEBORAH SALT : VERTICAL AXIS
A film by Eric Minh Swenson